Paul Thorn Band at the Beachland Ballroom 25 March 2010

He is becoming another one of those Cleveland darlings, a regional artist from somewhere else who comes through town once a year or so, and solely by word of mouth each time the crowd gets a little bigger. Paul Thorn is becoming the latest in the long line of semi-unknowns who has gathered a solid fan base here in Northern Ohio, even though his music isn't played on the radio here (hear that 107.3!), and he lives 1200 miles away in Tupelo, Mississippi.
Last Thursday before a good crowd in the ballroom at the Beachland, Thorn and his band put on another well-received show, featuring Thorns blend of blues, rock, and small town humor and wisdom. He played crowd favorites including "Long Time from Tupelo," "I Have a Good Day (every now and then)," "Mood Ring," and his Elvis Presley tribute "Even Heroes Die." He has a new album coming out in June, and the songs from it also sounded good, including a tribute to Tequila ("there's no sure fire remedy when love tears you apart/but tequila is good for the heart"), and a song filled with things his mother told him titled "Enjoy the Journey that is Life."
Paul Thorn is a great songwriter, a solid performer, and an American musical original. His observations of the world around him are priceless. If there was any justice in the world, he'd be sitting on the top of the music industry. His show last Thursday was part old time revival, part roots music, part blues show, part old time rock and roll concert.
For more about Paul Thorn and his music visit www.paulthorn.com. As always, there are a lot of great shows coming up at the Beachland, including Fred Eaglesmith April 8; Drive-By Truckers on April 11; The Legendary Rhythm and Blues Revue featuring Tommy Castro on April 12; the Deadstring Brothers with California Speedbag on April 17; and Shelby Lynne on May 5. I'm really looking forward to the Shelby Lynne show; her last time around at the Beachland in support of her Dusty Springfield tribute album was one of the best Beachland shows ever.

Burning River Roller Girls at the Wolstein Center at CSU on March 13

OK, I was a little skeptical about attending roller derby. I did spend a couple of days getting reacquainted with the sport, watching old clips of Joanie Weston on YouTube. But I have to admit I was pleasantly surprised by many things while seeing it live at the Wolstein Center at Cleveland State on March 13. The crowd of over three thousand was really into it, knowing the rules for the most part, and cheering for their favorite players. The girls themselves were more organized and athletic than I thought, and both bouts of the night were enjoyable to watch. There was a lot of action, and I think most people in attendance thought they got their money’s worth.
The Cleveland league is made up of four teams, with the best players on each team making up a traveling squad the Burning River Roller Girls who play in national tournaments. The local teams, the Hellbombers, the Rolling Pin-Ups, the Hard Knockers, and the Cleveland Steamers, play a round robin schedule with a championship bout set for June 10.
This is the fourth season for roller derby in Cleveland and it started with a bang, with a record setting crowd for the first of five nights of action at the their new home at Cleveland State. The next night of bouts is on Saturday, April 3. Visit www.burning riverrollergirls.com for more information.

“Emma” at the Cleveland Play House’s Drury Theater Now through March 21

Poor Jane Austen, if she only knew how popular her stories would become and how fascinated book lovers would become of her life she might have written a few more of them. During her short life, she died of an unknown illness at forty one, Ms. Austin wrote a handful of gossipy novels set amongst the upper crust of English society in the early 1800’s. Almost two hundred years later they keep getting more popular, especially on stage and screen.
The Cleveland Play House is currently presenting a stage version of “Emma” now through March 21 in the Drury Theater. The Play House has had a string of good literary adaptations over the last few years, and “Emma” is as good as any of them. Native Californian Sarah Nealis stars in the title role, the witty, matchmaking lady who lives in a beautiful country house and takes care of her wealthy father. Patrick Clear steals several scenes, and has some of the best lines of the play, as her father. The rather large cast of sixteen players has characters coming and going, with some of the best moments provided by Lindsay Iuen as the self-centered Mrs. Elton. Director Peter Amster keeps everyone on task, especially through several dance scenes. Costume Designer Kristine Kearney does a great job with nineteenth century dress.
I see the Drury Theater filled with Austin fans the next few weeks, and I doubt any of them will be disappointed. It is a wonderful night of theater, whether an Austin fan or not.
The Cleveland Play House is nearing the end of its second last season in its Euclid Avenue complex. Still to come is “Bill W. and Dr. Bob,” a play about the founders of Alcoholics Anonymous, and FusionFest, their annual presentation of new works and collaborations in music, dance, and theater. Visit www.clevelandplayhouse.com for more information.
The Play House has also announced their schedule for next season, and will feature several literary adaptions including the Midwest stage premier of “The Kite Runner”; an all African American cast version of Horton Foote’s “The Trip to Bountiful”; and a dance musical biography of Ginger Rogers titled “Backwards in High Heels: the Ginger Musical.” Check their website for more information, or give them a call at 216.795.7000.

“Out of a Dream” by Trisha O’Brien

Trisha O’Brien was a mainstay on the local jazz scene before she took the big steps and moved on to New York City and Florida five years ago. Her new release “Out of a Dream” on Azica Records features fourteen mostly romantic standards, backed with a four piece band of jazz pros including Shellly Berg on piano, Peter Washington on bass, Lewis Nash on drums, and Ken Peplowski on tenor sax. Both Berg and Peplowski are long time Cleveland players and Nighttown regulars. Another Cleveland connection on the album is producer Elaine Morton, who has done many things at Telarc Records in Beachwood.
The disk has a great feel to it, with the band giving just enough support to allow O’Brien’s voice to carry each tune. The disk opens with a great version of Nat King Cole’s “Darling, Je Vous Aime Beaucoup,” and ends with the Sinatra standard "In the Wee Small Hours of the Morning.” In between is nothing but good things, including wonderful versions of “Taking a Chance on Love,” “Let’s Face the Music and Dance,” and "Everybody Loves My Baby.”
Trisha O’Brien will be appearing on television and radio on Tuesday, March 2, on both the Fox Morning Show on Channel 8 and on “Around Noon” on WCPN. A Cleveland concert is in the works for this June. For more about Trisha O’Brien and her music visit www.trishaobrien.com.

"Candy Store" by Kristine Jackson

For those of us who first saw her back in her days in Blues on Purpose as a horn player behind Mary Bridget Davis, Kristine Jackson’s first CD of mostly original material “Candy Store” is just another step in the evolution of someone on her way to big things. From horn player to guitarist to vocalist to songwriter to performer of her own material to fronting several different versions of her own band, each step she has taken has been in the right direction.
“Candy Store” features nine Jackson originals along with Tom Waits’ “Way Down in the Hole,” acoustic blues numbers she has been playing in her shows for the last several years. The album is dedicated to her cousin Liz Bohman Szczepanski, who died of Hodgkin’s Lymphoma last year at the age of 27. Kristine will be playing a bunch of CD release dates this weekend in support of “Candy Store,” including Thursday, February 25 at Fat Fish Blue from 7-9, then at the Parkview from 10-12; Seekers Coffee Shop in Middleburg Heights on Friday, February 26; and at West Park Station on Saturday, February 27 from 6-9.
Jackson has always worn her emotions on her sleeve and in her songs, and “Candy Store” is filled with songs of hurt, forgiveness, and recovery. Amongst the highlights on the disk are the title tune, “Baby Girl,” “Hammer Mill 5,”“Wishing Well,” and “What Moves You.” She has really grown into a very good singer/songwriter.
Hopefully the next project in her growth as an artist will be done with a full blues band behind her. For more about Kristine Jackson, her music, and her work with the Kicking the Cancer Blues Foundation, visit www.kjblues.com.

"Ain't Misbehavin'" at the Cleveland Play House

Watching the Cleveland Play house's adaptation of the Fats Waller musical "Ain't Misbehavin'" last Wednesday at the Bolton Theater was like watching this year's version of the Cleveland Cavaliers, too much talent on the floor. From the five leads in the company to the players in the band to the songs in the musical review, this production of this enjoyable musical was nothing but top shelf.
Featuring over thirty numbers mostly from the black jazz era of 20's, 30's, and 40's, not to be confused with the Bing Crosby lead white jazz of the same time period, the play was filled with great dancing, outstanding vocals, and very good costumes and staging. As the company and the band went through not only Waller's greatest hits but those by composers such as George Marion, Jr., Andy Razaf, and others, the audience loved every moment of it, and broke into spontaneous applause often.
The five members of the company that did all the singing and dancing, with more than a healthy dose of humor, are all young regional theater veterans from around the country. Rebecca E. Covington, Angela Grovey, Christopher L. Morgan, Ken Robinson, and Aurelia Williams each showed great skill and talent. Musical Director and pianist Darryl G. Ivey lead a solid band of local musicians that featured trombonist Chris Anderson and drummer Thomas A. Fries.
"Ain't Misbehavin'" is running at the Bolton Theater until February 21, and I highly recommend it. This is the third year in a row the Play House has hit a home run with a musical biography, two years ago it was Ella Fitzgerald and last year it was Mahalia Jackson. This version of "Ain't Misbehavin'" might be the best of the bunch.
The Play House has two productions left in their season. An adaptation of Jane Austen's Emma is running from February 26 to March 21, and Bill W. and Dr. Bob, a drama about the founders of Alcoholics Anonymous set in Akron, from April 9 until May 2. Also upcoming is their FusionFest 2010, their annual multi-arts festival. Visit www.clevelandplayhouse.com for more information on any of these events.

14th Annual Cleveland Rock Off

Below is my article about the Tri C Rock Off, Cleveland's annual battle of the bands for high school musicians, that first appeared in the January 20 edition of CoolCleveland.com. Pictured here is Streetsboro High guitar virtuoso Brian Poston who played in four bands at this year's Rock Off.


It is January and that means it is time for one of the great annual musical events here in Northern Ohio, the Tri-C Rock Off. Now in it's fourteenth year, the event lets local high school musicians and their bands have a moment of glory or two on the big stage at the House of Blues.
It is a three-step process to win the Rock Off. First, hundreds of bands submit videos and CDs to be picked to perform at the HOB. Sixty-six bands are then selected to perform twenty-minute sets over three weekends. Three bands from each night are invited back on February 6 to perform again, with a champion and several runner-ups chosen.
The bands that get selected to play at the House of Blues are good. They show talent, imagination, and the results of a lot of hard work and practice. During their sets most bands perform several original songs and one cover. Even with 10-13 bands playing a night, things run pretty smoothly as the HOB sound and stage crews keep things moving, with very little down time.
I've been to the Rock Off on and off for years, and I think for most of the bands it’s the chance to perform on a big stage in front of their families and friends which is a bigger deal than actually winning the whole thing.
The first nights of performances were January 8 and 9, with more sets coming on Saturday, January 23; Sunday, January 24; Friday, January 29; and Saturday, January 30. The finals will be at 3:00 P.M. on Sunday, February 6. For more information and a performance schedule of bands visit the website www.cleveland.com/rockoff.
For some of the performers it's a once in a lifetime thing, but for others it's hopefully a stepping-stone to greater things. Brain Poston, an 18-year-old senior at Streetsboro High School, is in his second Rock Off, this year playing with four different bands (Project Rock Star, Steffani Reeder, Maddie Finn, and Shane Stokes). "Last year it was awesome, the best experience of my life. But I was really nervous," he says. This year it's different for the lead guitarist. "I'm a vet, last year we made it to the finals. I'm not nearly as nervous, I'm going to have fun."
Brian is one of those who is looking for a future in music. "Very soon I travel to the Berkeley School of music in Boston to audition. Just me and my guitar and a round trip plain ticket," he says with a confident smile. "If that doesn't work out I'll study music at a local college. As for now, I'm playing out somewhere every weekend, and practicing with someone every weeknight."
I checked out some of the opening night bands, and as always, the talent was impressive. I saw a band from Chagrin Falls and Kenston called Kid Brother who had a great 90's indie rock sound to them. They did a song called "She's Hot" that had a great opening bass line from Amph Fritz and got the audience up and jumping. Yield on Mars hails from Bay Village, and they were definitely influenced by their parents Led Zeppelin and Pink Floyd albums, and featured some great guitar work and drummer Jeremy Guffin on vocals. Project Pop Star is a coed project from Streetsboro High School that had a bit of theatrics and a lot of jump to them. There was plenty of big beats and some slick guitar work from Brian Poston. Near Forget Tomorrow features kids from Lake Catholic and Painesville Riverside, and had a sound reminiscent of Pat Benatar and the GoGo's. ESD returned for the second year in a row, and featured almost all instrumentals, and some great guitar work led by Tim Vopat. Selling You short was another guitar driven band with players from St. Ignatius and St. Ed's, who gave a very polished set.
Who's going to be the next Raspberries? MSB? Mushroomhead? Black Keys? You have a chance to check that out over the next several weekends at the House of Blues for the 14th Annual Tri C Rock Off.